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A composer and arranger, Mantia recognized the need to expand the euphonium repertoire and was active in bringing the euphonium from the back of the band to the front of the stage as a solo instrument.
To perform this work with style the player should strive to shape the phrases in a light and nimble manner, gliding over the notes rather than digging in!
It features virtuoso technique, intense melody, and a need for panache and flair. As a composer and arranger he undertakes regular commissions from the City of Birmingham Symphony Orchestra and other groups and a number of his pieces have been broadcast and commercially recorded. The Harmonious Blacksmith has been a favorite set of theme and variations for as long as most euphonium players have been playing their instruments.
This arrangement for euphonium or saxhorn, supplied with three solo parts, is set just perfectly for the instrument. Songs belonging to the “Bel Canto” school, of great educational use for all those teachers and students of trumpet, horn, trombone, euphonium and tuba, who base their “musical belief” on the importance of singing, sound, phrasing and of musicality.
A fine example with lyrical and technical passages including some triple tonguing and The work alternates an atmospheric recitative with a driving allegro section. Bravura is a companion piece to the composer’s earlier euphonium display piece Brillante, utilising the same traditional 19th century “fantasy variation” structure, familiar to generations of brass soloists.
It goes without saying that this work is not for the fainthearted. This is undoubtedly one of our most important pillars in our historic original euphonium repertoire. For years this theme and variation solo has challenged brass players of all persuasions. Martin Ellerby’s Euphonium Concerto is one of the most impressive pieces in the euphonium repertoire.
Vertommen – Euph and Piano.
The finale has a bouncy, festive feel. Here is the youtube video of the finale of the Linz performance: This delectable miniature creates the impression that it could go on forever, and it seems to have a real dynamo of energy in its relatively short time span.
Fantasy for Euphonium
It is essentially a chaconne with the solo part sounding related modal material at a faster tempo over the slow-moving chord progression. An interesting and beautiful fantaey
Another great addition to the Lost Treasures Series, with a solo of moderate difficulty. Joseph Hector Fiocco was the fantaasy famous member of a family of Belgian musicians. Philip Sparke’s 15 Intermediate Christmas Carols, a bundle that is part of the Anglo Music Play-Along Series, is intended for the young instrumentalist who can play about one and a half octaves.
Sparke, Philip – Fantasy for Euphonium and Piano (Treble Clef)
The third movement returns to the fiery rhythmic character of the first movement but this time more emphasis is placed upon mixed and is symmetrical metres so that the solid feel of the barline is lost.
Excellent extended work, with some great moments. This version is with piano accompaniment, and solo parts in TC and BC. His comments went largely unheard, though; even today, many believe the piece to have a quite different meaning from the one the composer intended. This highly demanding work is sure to become an established classic in the euphonium repertoire. You are able to turn off your cookies through your browser options, but this will have a negative effect on the functionality of our website on your computer.
Enjoy a piece of euphonium history while playing this gem. This time honored classic has been entertaining audiences for years! Euphonium take the student progressively through the early grades. Because of this is was decided to give the commission a local connection by chosing the title, Diamond Concerto.
Based on a beautful Japanese song this demanding work will prove to be very popular in recitals and concerts.
Philip Sparke – with piano accompaniment and play along CD accomp. Here is another brand new work, part of the Leading Edge series of contemporary works for the euphonium. There is also a strong need for excellent double and triple tonguing as Cosma wrote the final few sections with the violin his instrument in mind versus the euphonium, so some of the passages are not as idiomatic as they could be.
Victor Frederic Verrimst was a bassist and composer, xparke admitted to the Paris Conservatoire at an early age, and went on to receive several prizes for composition. Fuphonium Concerto for Euphonium is a highly demanding work for both soloist and the accompaniment. Aqua Water a lyrical interlude or intermezzowhere the soloist has more of zparke free reign to their lines and the band support in a delicate legato style.
Towards the end of the piece the tune is heard once again in its full version, leading to a coda where the euphonium takes centre stage in a bravura manner.